randian | 燃点

Boers-Li Gallery is currently holding a unique exhibition entitled “Made in Prison” which features the extraordinary artist Kang Wanhua. The show exhibits over sixty drawings he made while in prison during the latter part of the 1970s. >> Read more

Boers-Li Gallery is pleased to announce the exhibition “Made in Prison”, a series of drawings made by Kang Wanhua during his imprisonment from 1976 to 1978. “Made in Prison” is part of Boers – Li Gallery’s research project into the roots of contemporary art in China, initiated with “Out of the Box” (2011) showing historical […] >> Read more

Grainy, velvety black photocopies of famous faces – portraits by Jan Van Eyck, Rembrandt, Ingres, Artemisia Gentileschi and others from the western art historical canon – were arranged in rows or grids. They gazed out from behind layers of acrylic paint, or wax that had been partially scraped back. >> Read more

Werner Büttner, Wild Painter in Germany who changed the 1980s. >> Read more

During the inauguration of the 14th edition of the art fair Contemporary Istanbul, chairman Ali Güreli was also enthusiastically stressing the importance of art and culture in Turkey with the statement: “The artistic and cultural dimension needs to be reinforced at all times”. >> Read more

This year’s edition of Para Site’s International conference is interested in the renewed discussion throughout the world, often marked by symbolic actions if not yet by government policy, affecting what gets counted within the category of heritage, and who gets to do the counting: from the increasing debate around repatriation of looted artefacts by colonial powers to the varied and dissimilar processes of renaming and removing symbols of past eras, from India and Myanmar to Confederate America and Apartheid South Africa. >> Read more

Simon Lee Gallery is proud to present a survey of paintings and works on paper by Yun Hyong-keun. >> Read more

The exhibition starts with "Firing". This first part, consisting of 162 pieces of target paper, as if cobblestones along the river of war, forms a path leading to every corners of the whole show. >> Read more

Chen Chieh-jen’s new exhibition “A Field of Non-field” is a show that demonstrates refinement, not only in its sleek, grey visual effects, but also in the artist’s work combing through and neatly displaying the contextual relationships that exist between every single element in the exhibition—and on top of this, all of it done to the tune of his concise aesthetic temperament: solemn, neutral, calm. >> Read more

“A Field of Non-field” will be the second solo show of Chen Chieh-jen to be held in Long March Space after 7 years. >> Read more